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Photos: Summer in Berlin (and beyond)…

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As some of you might know, I’ve been keeping a photo blog for the past year here in Berlin. Here are some of my personal highlights of the past summer.
So, what did I do?

Finally met my childhood hero.
Spiderman on vacation

Visited amazingly beautiful Wannsee.
Wannsee. Wann wieder?

Got to the Dome.
The Dome

Regretted of not being younger.
Sonntag am Schlachtensee

Realized that Lahti never lets you down. Hosting was pretty good, too… ;)
Kiitos Lahti!

Visited Singapore.
Goodbye Singapore. Hello Berlin.

… and Malaysia.
Moikka kaukaa!

Didn’t feel alone watching football.
Torilla tavataan. Brandenburger Torilla.

Finally got some.
Sex Appeal. Now you don't have to be born with it.

Found some real weird children books.
Lastenkirjojen kirpputori. Mikä ei kuulu joukkoon?

Got addicted.
After a break of 4 weeks. Berlin night.

Visited abandoned military hospital.
Where did everyone go?

Found a new favorite band.
Sunday morning concerts are always sold out.

Raved at S-Bahnhof.

Tried to get most out of cloudy July.
Berlin in July

Found out that agony has 240 steps.
Mies vs. Portaat. Hienoo olla Tampereella!

Broadcasted live from Kajaani. With Borat.
Yle Kainuu takeover! Kajaanin studiossa kolme urpoa.

… and Kajaani was pretty cool outside the studio, too.
Kiitos Kajaani!

Had quite some hosting in Tampere.
Every man's backstage dream.

Enjoyed the calmness of Helsinki.
Helsinki Saturday 06:30AM

… and the craziness of it.
Summer Heat on sit nykyään junkkaklubi ;)

Had a pulse over 170bpm.
Amazing Summer Sound Festival

Calmed down.
Finland.

Enjoyed every drop of it.
Friday. Friday. Gotta get down on Friday.

Kept rain in Monbijou Park.
Daily Alex.

Raved at an abandoned spy station.
Raving at the abandoned military spying station.

Found the best slogan of the year (upper left corner).
"Enemmän käsille."

Visited the STASI prison.
The STASI-Prison

Realized he’s just like me.
Cafe Raja Jooseppi (2)

Enjoyed the street art.
Occupy everything

… and the sunsets.
Teufelsberg sunset

Visited abandoned children’s hospital.
Abandoned Children's Hospital 2/5

Didn’t mind the late heat.
Berlin 35C, 19.08.2012

Had plenty of fun in Vaasa.
(photo – Timo Torvikoski, Sessions2)
Orion @ Fantasia 2012, Vaasa

… possibly a bit too much fun.
Lovetonen kanssa freesinä keikan jälkeen

Got all emotional.
You can leave Berlin but Berlin really never leaves you.

… and felt like home.
...du bist so wunderbar.

In case you want to see more, check the photos of the first 6 months in Berlin.

Where do artists and managers stand?

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Bruce Houghton wrote an excellent blog post about band managers and today’s music business. Managing a band differs from managing an electronic music act or DJ, but there are similarities. I’ve been now part of Misc. Management for about two years, a relatively short part of Misc’s nine year history, but definitely a very active one. So – if Bruce is asking “Where have all the good managers gone?”, I’m asking what is it that makes a good manager? And is exposing a new talent on manager’s responsibility? What is it that young artists should do in the world of smaller and longer careers? And finally, what if managing doesn’t make you rich?

Finding good talent is the hardest job in this business. Exposing it, breaking it through, is almost as difficult.
Bob Lefsetz: Saving the music business

In the field of electronic music being part of an agency is considered valuable for the artist’s career. It might be right, but the role of the agency is often overestimated, too. Young artists expect their career to get an instant boost from being in a respected artist roster and are ready to give the responsibility to the management: “Go on, make me famous.”

Don’t get me wrong, I’m not talking about Misc. artists here. The artists I’m privileged to represent know their responsibility and part of the work. A couple of months ago we finished DJ Orkidea’s Metaverse album tour, which was a good example of what the artist must these days do for successful results.
If all the Web2.0 consultants are telling the companies to be present in the web, write blogs and discuss in order to get loyal customers, why shouldn’t artists do the same?
The management can’t represent artist on social networks and web communities. It’s the artist himself who needs to be personally present, write, ask, answer, listen, meet, share and interact in places where the people are.

But all this 2.0. thing needs to be innovative – if you were thinking about artist writing forum posts or MySpace blogs here, your way of thinking is old-fashioned. And most importantly – it’s the artist who should come up with these ideas and the management’s task is to support it.

We are approaching the times when digital music can’t be marketed, it can only be found. The times when the management is promoting the artists in order to get more gigs sold is over and something much more exciting is ahead. And it means we have hell of an amount of work to do.

So, let’s talk about work.

[…]the new music business is creating a new musical middle class. Rather than a few flash in pan stars, we’re seeing more smaller but longer careers.
Bruce Houghton: Where have all the good managers gone?

I couldn’t agree more here. Longer careers mean bigger amount of work and patience. I’ve seen several DJs hoping to break through but unable to understand that the more influence you will get in the music scene the more work you must do. Also – breakthrough rarely happens overnight, but that’s what people seem to hope. I’m sure doing 10 years of work for the breakthrough, finally making it and then slowly fading out is much more rewarding than working hard half a year, breaking through and then fading out.
Artists should be happy and appreciate of where they stand now. Grass is always greener on the other side, but you can’t know if you’d be talented enough of keep it that green if you were there.

“[…] Managers will be more willing to manage if there’s money, but for there to be money, they need to do a good job managing! This seems to be why a lot of people give managing a shot, and then realize its not worth the headache!”

Above is a part of Gavroche’s comment to Bruce’s post. Artist management is often seen as a wealthy business which it definitely is if you’re the manager of Madonna. Most of times it’s not. But still it has a huge cultural value and big importance to the artists. I haven’t gotten rich while working at Misc, but I’ve met incredible amount of new people, made great friends, travelled a lot, explored new music and been part of influencing Finnish electronic music culture. If I would count my hourly salary, I’d definitely make more money at McDonald’s. I do not regret any of the moments I’ve worked for free for the purpose of making our artists more famous and electronic music more visible.

To sum this all up, I hope you have time to see Tony Robbins’ short speech of Why We Do What We Do. And after it, no matter if you’re an artist or manager or DJ – or anything – ask yourself what is it that you want to do and why and then do it.

But don’t forget to be happy of what you’ve achived already.