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	<title>Comments on: Where do artists and managers stand?</title>
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	<link>http://www.djorion.fi/2008/07/where-do-artists-and-managers-stand/</link>
	<description>The electronic home of DJ Orion / Juska Wendland</description>
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		<title>By: Lauri</title>
		<link>http://www.djorion.fi/2008/07/where-do-artists-and-managers-stand/comment-page-1/#comment-665</link>
		<dc:creator>Lauri</dc:creator>
		<pubDate>Wed, 10 Dec 2008 16:50:33 +0000</pubDate>
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		<description>There&#039;s a huge difference between manager and an agent. Many of the electronic music artist&#039; representives, called as agencys, are playing the manager role, but are actually a bunch of crap (not talking about Misc. in any way, as Misc&#039;s philosophy is totally different than ordinary agency or management). Easy money if you have some hot names, if not, too bad - then you try to recruit some upcoming honcho and hope he&#039;ll brake through and you get the booking fees. The relation is thin and easy to break up. 

There is no way you could be a manager of all the artists, when you have a roster of 15 dj&#039;s. This is the difficulty many of the good dj&#039;s confront. 
They get promised more than the agent can provide. A manager keeps YOU up, he doesn&#039;t suggest the next artist when the budget doesn&#039;t meet the fee or for some other reason why the performance seems to be a no go. 

If you compare the situation to some basic rock or pop bands (not the &quot;big stars&quot;), they have almost always the booking agent AND a manager, already because of the record labels and all the legal issues, etc. But they work their ass off for the band to get it up. 

To be a good manager, it requires alot. And you truly need to love your job to be a good one.</description>
		<content:encoded><![CDATA[<p>There&#8217;s a huge difference between manager and an agent. Many of the electronic music artist&#8217; representives, called as agencys, are playing the manager role, but are actually a bunch of crap (not talking about Misc. in any way, as Misc&#8217;s philosophy is totally different than ordinary agency or management). Easy money if you have some hot names, if not, too bad &#8211; then you try to recruit some upcoming honcho and hope he&#8217;ll brake through and you get the booking fees. The relation is thin and easy to break up. </p>
<p>There is no way you could be a manager of all the artists, when you have a roster of 15 dj&#8217;s. This is the difficulty many of the good dj&#8217;s confront.<br />
They get promised more than the agent can provide. A manager keeps YOU up, he doesn&#8217;t suggest the next artist when the budget doesn&#8217;t meet the fee or for some other reason why the performance seems to be a no go. </p>
<p>If you compare the situation to some basic rock or pop bands (not the &#8220;big stars&#8221;), they have almost always the booking agent AND a manager, already because of the record labels and all the legal issues, etc. But they work their ass off for the band to get it up. </p>
<p>To be a good manager, it requires alot. And you truly need to love your job to be a good one.</p>
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		<title>By: YleX - Tiistain Tanssi-ilta 08.07.2008 - DJ Orion's Blog</title>
		<link>http://www.djorion.fi/2008/07/where-do-artists-and-managers-stand/comment-page-1/#comment-576</link>
		<dc:creator>YleX - Tiistain Tanssi-ilta 08.07.2008 - DJ Orion's Blog</dc:creator>
		<pubDate>Tue, 08 Jul 2008 18:49:19 +0000</pubDate>
		<guid isPermaLink="false">http://orion.reaktio.net/blog/?p=3221#comment-576</guid>
		<description>[...] Tanssi-ilta links Where do artists and managers stand? NYC Pacha closed Is the tide turning on piracy? U2 Defends Radiohead In Letter To NME UNKLE Goes [...]</description>
		<content:encoded><![CDATA[<p>[...] Tanssi-ilta links Where do artists and managers stand? NYC Pacha closed Is the tide turning on piracy? U2 Defends Radiohead In Letter To NME UNKLE Goes [...]</p>
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